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k2daisy

November 2023

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pauraque: Marina Sirtis in costume as Deanna reads Women Who Love Too Much on the Enterprise bridge (st women who love too much)
[personal profile] pauraque
This is part 2 of my book club notes on The Way Spring Arrives and Other Stories. [Part 1.]


"The Restaurant at the End of the Universe: Tai Chi Mashed Taro" by Anna Wu (2016), tr. Carmen Yiling Yan

A time-traveling meditation on the rise and fall of people and societies. )


"The Futures of Genders in Chinese Science Fiction" by Jing Tsu (2022) [essay]

Discussion of the depiction and participation of people of marginalized genders in Chinese SF. )


"Baby, I Love You" by Zhao Haihong (2002), tr. Elizabeth Hanlon

In the not-too-distant future, a programmer works on a holographic virtual baby while his real family life falls apart. )


"A Saccharophilic Earthworm" by BaiFanRuShang (2005), tr. Ru-Ping Chen

After a disabling accident, a theater director believes she can teach flowers to dance. )


"The Alchemist of Lantian" by BaiFanRuShang (2005), tr. Ru-Ping Chen

Every time a godlike being helps a human, their own exile in the mortal world is extended. )
Apr. 21st, 2025 09:28 am

Encased meats and unencased carbs.

annieeats: (chicago)
[personal profile] annieeats
Neph turned 14 yesterday but is sick, so on Saturday we drove out to his house and dropped off his gift (a ramen-themed Mighty Wallet and $50 cash), then hiked Schiller Woods a little bit. It wasn't our plan to eat out but we caved to our impulses and stopped for brunch at Gene & Jude's. There was a line already when we showed up at 10:25 but it dissipated after they opened at 10:30, likely to resume later closer to lunch.

My hiking pants were splattered with a little mud, I was wearing a white t-shirt with a giant blue W on it, and my hair was frizzed up from the humidity. J looked like J. In other words, we looked schlubby. We fit right in as we got in line behind the dude in the Cubs fishing hat and vest. I mean, we ARE locals, but ever since our waitress at Girl & the Goat asked us where we were from, I've wondered if we look like tourists. But of course, Girl & the Goat is in the West Loop, and people in the West Loop look like people who are from, well, the West Loop. I only look like that when I'm giving a presentation or something and am forced to haul out a suit and perhaps apply lipstick. But for hot dogs we look fine. Gene & Jude's has a manual lever-operated fry cutter and they cut the fries in front of you. The only toppings are onion, mustard, and sport peppers. The kitchen floor is usually covered with smashed fries but we got there too early to see that - the floor was clean. There are no seats at the counters; you stand then leave.

We snuck in two packets of ketchup from the car's emergency stash to eat with our fries and made sure to wrap up the empty packets tightly in the garbage so that the evidence would not be discovered.

On Sunday we drove down to Jackson Park where I fumed at a gigantic church being build next to the Obama library (both under construction). The church looks like a North Korean Chicago Jail. It's hideous and offensive and the cherry blossoms bloomed in the shadow of that behemoth. It stuck up like a religious marble middle finger next to that lovely park, humble nearby homes, and relatively modest Obama library.

That said, the trees were beautiful (we saw no fewer than three influenzers taking photos), the Garden of the Phoenix was as pretty as always, then we got off the highway to hit up Jim's Original and Express Grill for the first time, to have brunch in our car. I went to Jim's, J went to Express Grill, and we both met in the car with our Maxwell Street Polishes. IMHO, the Polish is the better Chicago classic, far superior to the Chicago hot dog. I preferred Jim's starchy fries and Polish, J preferred Express Grill's darker smooth fries and spicier Polish (I think it has celery salt on it? not a fave). Funny how that worked out. We could just have easily have switched destinations. They do provide ketchup, mostly because they have burgers on the menu, I think.

On the way back, even though we absolutely did not need it, we hit one of my starred locations: Roeser's Bakery (est 1911). For years I have seen Roeser's boxes at work now and then. We picked up a guava and cheese coffeecake, a blueberry mini bundt cake, some mini frosted cakes, and a banana eclair type thing. The syrup soaked bundt was the biggest hit. I don't like the bakery as much as I like Jarosch but I like it a lot and it's closer. A friend insists that Central Continental is better than Jarosch - I MUST investigate this for science.

Eating salad today. Sounds boring but after a little too much indulgence, it's a welcome change.
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pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
[personal profile] pauraque
In this light-hearted point-and-click adventure from Italian studio imaginarylab, nerdy teenager Willy Morgan receives a cryptic letter from his father, an archaeologist who mysteriously disappeared ten years earlier while researching the pirate lore of nearby Bone Town. Now Willy has to take over where his dad left off, searching for clues among the locals (who all seem to be descended from famous pirates) and learning the truth about his father's fate and the lost treasure he sought.



I liked the look and feel of this game. It has a fun, quirky atmosphere, and the interface is polished and intuitive. The puzzles kept me interested but I never got stuck; I think it's intended to be more chill than challenging. However, there are some pretty big writing and plotting probems that got in the way of my enjoyment of the game.

Read more... )

Willy Morgan and the Curse of Bone Town is available on Steam and GOG for $19.99 USD, which is way too much. It's a light adventure that you'll finish in an evening, probably not something that'll stick with you or that you'll want to replay. I got it on sale for a couple bucks, and that's about right. There's also a free demo.
pauraque: butterfly trailing a rainbow through the sky from the Reading Rainbow TV show opening (butterfly in the sky)
[personal profile] pauraque
[This is a revision of a review I first posted to [livejournal.com profile] 50books_poc on March 10th, 2011. It has been edited for clarity.]

This is a teaching grammar of the language which is now more properly called Tohono O'odham. (It appears that later editions of the book are indeed called A Tohono O'odham Grammar. The edition I have is from 1997.) It's the language of the Tohono O'odham people, of what is now called Arizona and northern Mexico. In 2007 the language was reported to have 14,000 speakers, including the mutually intelligible Pima O'odham dialect, and revitalization efforts are ongoing.

Ofelia Zepeda is a native speaker and a linguist. She wrote this book to be used in the classroom, both for O'odham who lack full fluency, and for interested outsiders. The material is in the form of lessons, with discussion of the grammar, vocabulary lists, dialogues, and exercises. There are special advanced exercises for native speakers, challenging them to analyze their own speech and describe why certain constructions sound right and others do not, which is a cool addition and really drives home that the primary audience is the O'odham community itself.

The presentation is linguistically informed, but technical terms are largely avoided. There is nothing more exotic than the sorts of words you'd find in a high school language class. But the book doesn't stand on its own as a Teach Yourself; it's obviously supposed to be a textbook for a class. The answers to the exercises are not provided. The phonology section is extremely sparse and vague, which is fine if you have people to hear and talk to, but not if you're trying to learn alone. Many of the finer points are under-explained (if you don't already know the difference between perfective and imperfective, I don't think you'll really know after reading this book either), and they're the kind of things your teacher would go over with you.

While I wouldn't rely on this book to teach you the language, it does cover quite a bit of ground for not being very long, so if you're the kind of person (like me) who reads about a language not because you're planning to speak it but simply because languages are awesome, it may well appeal to you. American Indian grammars written by native speakers aren't exactly a dime a dozen, so I was pleased to get my hands on this one.
pauraque: Belle reads to sheep (belle reading)
[personal profile] pauraque
[This is a revision of a review I posted to [livejournal.com profile] 50books_poc on October 7th, 2010. It was, in fact, the first review I posted there—I have a vivid memory of finding out about the community and getting so excited that I immediately started casting about the room and grabbed the first book by an author of color that I saw. Alert readers will note that "my 7-year-old" is now in their 20s.]

My 7-year-old loves the Bad Kitty series of books, which are about—get this—the travails of a disobedient cat named Kitty. We just read this latest book together, in which the family goes out of town and leaves Kitty with the hapless Uncle Murray. Like previous entries in the series, it's a heavily illustrated chapter book. This one is 150 pages, and many are all pictures, some are all text, and lots are a mix. (Some of the text pages got long for said 7-year-old to read; they wanted to get back to the pictures.)



Author-illustrator Nick Bruel really has a handle on how cats think. Anyone who knows cats will greet Kitty's behavior and thought processes with laughter and groans of recognition. In this one there are also some non-fiction asides discussing why cats behave the way they do—why they fear strangers and loud noises and so on—which are lightly-handled and not too long.

The art makes these books. Bruel's style is loose and expressive, effortlessly nailing the facial expressions of animals and people on every page. He is fluent in the language of comics, and can make you giggle with just the turn of a line. My kid just about dies laughing when they see some of these drawings.

Seven seems like a good age for these books, though a slightly older reader would be able to get through more of the text without help. Recommended if you have kids around that age.
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